在传统水墨人物画国画中(包括人物画),古代作品中是否存在着记录战争与血腥的的题材,求相关作品名称。

传统的中国画应该是以生活为媒介作为自己创作的灵感,但也不乏有传统的一些习惯休身养性,在绘画技巧上面有着很高的造诣现代中国画大多与现代化结合,体現了现代社会发展的背景由于教学背景、课程设置、教学方法,使现代中国画在传统的基础上更加的注重技巧与绘画方法

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单 位 代 码 10445 学 号 分 类 号 J212 研究生类别 铨日制 硕士学位论文 论 文 题 目 中国水墨人物画中的线性语言运用及拓展 学科专业名称 美术学 申 请人 姓名 周晓雪 导 师 姓 名 宋丰光 论文提交日期 2014 年 5 月 20 日 万方数据 目录 引言········································································1 苐一章 中国画线性语言的独特性 ··············································2 第一节 “独特性”审美成因·················································2 1.中国古典哲学文化的渗透·············································2 2.工具材质的特殊性 ···················································3 第二节 “线”的气、韵、意之美··············································4 第二章 传统水墨人物画人物画线性语言的运用 ········································6 第一节 传统水墨人物画人物画线性语言的发展脉络 ··································6 第二节 “写形传神达意存真”——传统水墨人物画人物画线性语言的运用 ·············7 1 ﹒以线造型··························································8 2 ﹒以线表势·························································10 3 ﹒以线达意·························································11 4 ﹒线的书写性 ·······················································13 第三章 现代水墨人物画线性语訁的变革与传承·································15 第一节 线性语言在现代水墨人物画中变革的原因·····························15 第二节 “写实”造型与线性语言的塑造性 ····································16 第三节 “写生”与線性语言的生动性 ········································19 第四章 当代语境下水墨人物画线性语言的拓展 ·································22 第一节 线性语言的情感属性及对时代的自由表达 ·····························23 1.线性语言的抽象形态映射当代复杂矛盾的社会心理 ·····················23 2.线性语言的风格特征对艺术家个人情感的建构 ·························24 第二节 多元的线性语言运用 ···············································26 1.线性語言与人物主体塑造 ·····················

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